Architectural Acoustics offers a comprehensive overview of acoustical science at a level suitable for either advanced undergraduate or introductory graduate courses in architectural design and architectural engineering. The text is organized according to how sound interacts with built structures, going from simple geometries through complex building structures. The book begins with a brief but useful history of architecture and the role of acoustics, as well as overview of human perception of, sound, and then progresses through topics ranging from acoustic measurement, noise metrics and environmental noise, to sound in enclosed spaces, sound transmission in buildings, vibration and vibration isolation, and noise in mechanical systems. Architectural Acoustics also includes more advanced chapters on specific design problems, including treatment of multifamily dwellings, office buildings, sound reinforcement systems, rooms for music, multipurpose rooms, auditoriums, sanctuaries, and studios and listening rooms. Also covered is the theory loudspeaker systems and sound system modeling as well as in-depth presentation of computer modeling, ray tracing and auralization. Comprehensive guide to the basics of acoustical science and its applications to architectural design. Author is renowned expert engaged in acoustical engineering for 20 years.
Covers the latest environmental regulations and health and safety research related to sound inside and outside of buildings. Comprehensive, up-to-date coverage of principles, materials, and technologies Architectural Acoustics provides the vital information that architects, engineers, and all concerned with the built environment need to control and direct wanted or unwanted sounds within and around buildings. A team of internationally recognized experts presents the very latest information on acoustical materials, technologies, design criteria, and methods for a wide variety of applications, including airports and other transportation facilities; theaters, churches, and concert halls; classrooms, lecture halls, and libraries; music practice rooms and recording studios; sports venues; and all types of residential, commercial, and industrial buildings.
This comprehensive reference is one of the few books of its kind to include richly detailed case studies that demonstrate real-world applications of acoustic principles, materials, and methods. Nearly two hundred photos and illustrations further elucidate specific principles, applications, and techniques. Topics covered include:. Basic principles of architectural acoustics.
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Acoustical materials and methods. Building noise control applications. The application of good acoustic design can seem daunting to designers when trying to understand the often-complex physics of sound control. The ever-increasing number of standards and performance criteria that can be requested on new developments further complicates acoustics for architects. Architectural Acoustics, part of the PocketArchitecture series, provides the fundamental theory and understanding of acoustics and applications of effective detailing for specific building types and conditions in an accessible and clear technical guide.
The book provides: a compact and understandable introduction to the fundamentals of building and architectural acoustics definitions of suitable acoustic performance criteria for a wide range of common buildings and room types guidance on specification and detailing of the most suitable construction types in North America and the UK. This book is both, a handy rule of thumb on acoustics for anyone involved in the design or construction of buildings, as well as an essential addition to any architect’s reference library.
Acoustics as a branch of physics involves heavy mathematics, and the practice of architectural acoustics involves knowledge of a broad range of subjects. For these reasons, many people believe that good acoustics are almost impossible to obtain and exist only in concert halls. With a solid understanding of the basics, however, rooms with good acoustics are not as hard to design and build as people might think. This work describes acoustics and the factors to be considered in constructing a room or building with good sound quality.
Among the topics covered are intonation, tuning and temperaments of classical music, environmental noise, noise and vibration control, sound measurement, sound systems, acoustic models, and acoustical design for various settings and purposes, including acoustics for chamber music, synagogues, churches, and classrooms. The work looks at places like Clemens Theatre, Congress Hall, Binns Rehearsal Room, and Philharmonic Hall, to name just a few, as models of small and large buildings with excellent acoustics. Many diagrams and other illustrations enhance the text.
Unite the science of sound and the principles of design toenhance any space Architectural Acoustics Illustrated translates thequantitative and qualitative content of acoustics into the graphiclanguage of architecture. This highly-visual guide includes over350 illustrations that outline the physics of sound and the bestdesign practices for limiting or mitigating noise in buildings byusing the latest in materials and techniques. Each chapter includesa summary checklist of design guidelines to help prevent mistakesand oversights, and the Instructor's website offers videoanimations demonstrating acoustical concepts.
Designed as a 'firstlook' at the interaction of sound and space, the book explains theprinciples of architectural acoustics and their practicalapplications, providing a comprehensive guide for designing withacoustics in mind. Architectural acoustics is more than just concert halls –it may determine building placement, division of interior space,exterior construction, and even siting. When addressed early in thedesign process, the resulting space can be free of unwanted soundand promote good hearing; if left unaddressed, the problems withthe space can lead to lawsuits and costly post-constructionremediation. Architectural Acoustics, Second Edition presents a thorough technical overview of the discipline, from basic concepts to specific design advice. Beginning with a brief history, it reviews the fundamentals of acoustics, human perception and reaction to sound, acoustic noise measurements, noise metrics, and environmental noise characterization. In-depth treatment is given to the theoretical principles and practical applications of wave acoustics, sound transmission, vibration and vibration isolation, and noise transmission in floors and mechanical systems. Chapters on specific design problems demonstrate how to apply the theory, including treatment of multifamily dwellings, office buildings, rooms for speech, rooms for music, multipurpose rooms, auditoriums, sanctuaries, studios, listening rooms, and the design of sound reinforcement systems.
Detailed figures illustrate the practical applications of acoustic principles, showing how to implement design ideas in actual structures. This compendium of theoretical and practical design information brings the relevant concepts, equations, techniques, and specific design problems together in one place, including both fundamentals and more advanced material. Practicing engineers will find it an invaluable reference for their daily work, while advanced students will appreciate its rigorous treatment of the basic building blocks of acoustical theory. Considered the most complete resource in the field – includes basic fundamental relations, derived from first principles, and examples needed to solve real engineering problems.
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Provides a well-organized text for students first approaching the subject as well as a reliable reference for experienced practitioners looking to refresh their technical knowledge base. New content for developing professionals includes case studies and coverage of specific focus areas such as audio visual design, theaters, and concert halls. Proceeding from basic theory to design studies of concert and multiple purpose halls, the author introduces a remarkable seat selection system for the analysis of new and existing halls, and proposes a diagnostic system for testing the physical properties and calculating the psychological attributes at any seat after a hall is built.
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The book also presents a theory of subjective preferences, based on a model of the auditory cognitive system in the brain. Readers can thus follow the temporal and spatial values that may be associated with the left and right cerebral hemispheres in listening to music and speech, respectively, in a room. From the results of calculating subjective preference at each seat, for example, architects, musicians, and acoustical engineers concerned with the design and use of concert and multi-use halls may determine the best location to perform a certain type of music on the stage, as well as the best seats from which to listen. This full-color book contains the state-of-the-art knowledge and latest trends and developments in architectural acoustics research. This reference will play a fundamental role in the sustainable progress of architectural acoustics research and practical applications.
World-renowned experts in the field from both the research and consulting communities contributed to the 15 chapters covering a wide range of sub-fields including computational modeling, noise, vibration controls, and environmental acoustics in the built environment and around buildings. With information not found anywhere else, this handbook is geared for architectural acoustics research, education in academia, and practical applications among acoustics consultants and industry engineers. It is divided into two Parts: Architectural Acoustics Essentials and Architectural Acoustics Practice.